Music
Birdcage Walk (2014-2015)
This piece of music for violin, percussions and piano, depicts a promenade through the 'Birdcage Walk' in bristol.
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Each movement is a stage in this promenade. The first and the sixth movements, which open and close the piece, represent the noise of the street. From the movement 2 to the movement 5, we are inside the park.
The title of the second movement makes a reference to the engraved sentence on one of the entry of the 'Birdcage Walk', and the name of the fifth movement refers to the benches near the other entry.
I chose the instrumental techniques and the timbres to illustrate and describe my feelings but also to tell a short story inside this piece of music.
Mouvements :
1 : Street
2 : The fear of the Lord is a fountain of life
3 : The squirrel
4 : The Ambush
5 : In memory of
6 : Reality
musicians of the Bristol Ensemble:
Roger Huckle, violin
Paul Israel, piano
David Insua-cao, percussions
Echo-ïdes (2014)
For two oboes
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For this piece of music, I mainly wanted to work on the timbre of the oboe, on the tension and on the synchronisation between the 2 oboes. This is the result of my researches.
musicians:
Lucy Colwill, Oboe
Corey Moore, Oboe
Between Two (2014)
piece for Piano
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This piece of music is a developed version of what could happen between 2 sounds of bell of church. You can also see the piece as a travel or as a life's cycle.
musician:
Alexandra Tchernakova, Piano
From birth to death... (2014)
This piece is inspired by the life of a star.
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Initially, we observe a cloud of gas and dust. Following the densification of a part of the cloud, the gas collapses on itself. He flattens as a disk with a central protostar. The densification in the center is such that atoms do not repel anymore but they merge: hydrogen, helium, carbon, and... Star starts photo-evaporating the disk by light. When it has nothing more to burn, it sucks her sister (the stars bear often by two). Once completed, the star collapses. The electrons having acquired a strong energy are captured by protons, creating thus an imbalance and leading to the explosion of the star: the supernova. But the life of a star is an eternal cycle, it leaves behind a cloud of gas and dust.
Violin, clarinet and harp are going to endeavor to evoke freely the life of a star, using some unconventional modes essentially in the first and the fifth and final part of the piece.
The violin plays an impact in col legno which gives the starting point of the photo-evaporation of the disk light, this will be represented by a progressive densification of each instrumental part and rhythmic superimposition.
A much more peaceful third part illustrates the aspiration of the second star with descendant motifs before the final explosion (Part Four).
Musicians:
Marie-Line Arragon, Harp
Rémi Godet, Clarinet basse
Elisabeth Montabone, Violin
Worlds in a music box (2014)
If your music box did not contain a single world...
If your music box did not contain a single world... Open it and let go through the many facets it contains.
Clarinet and bass are going to alternate long held, rhythmic passages and not really academic modes animating the steps of the dancer in this journey. However, as all music boxes, mechanism, after its peak, slows down, declines, tries to continue with smaller interventions and stops. You just have to close the lid until the next time.
Artists :
Pierre-Loup Barazzutti, double Bass
Claire Sassoulas, Clarinet
Clara Beddeleem, Dancer
Alone (2013)
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Aliénations (2013)
piece for Clarinet, piano and cello
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NOTHING FOUND!
Breaths, vibrations, impacts, cracks, etc.. The aim of this research of timbre is to lead the listener into a parallel world where madness, insanity, wishful thinking and wisdom entangle.
To suggest these phenomena, instrumentalists play in a not really academic way, that is to say, who do not follow the established rules of classical training and agreed to the instrument.
Musicians:
Adeline Melo, Clarinet
Cinta Akharina Famazi, Piano
Pierre-Loup Barazzutti, Cello
Nyx (2011)
Composition in the style of Désiré-Émile Inghelbrecht
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Sois tranquille, cela viendra... (2011)
According to Philippe Jacottet's poem "Sois tranquille, cela viendra !"
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The poem of Philippe Jacottet, Sois tranquille, cela viendra!, which has been written in 1953, was the basis of this musical creation.
Instruments (flute, oboe and percussion), accompanying the declamation of the text, try to express the inevitably destructive nature of time against which we can not fight through a melodic theme that recurs repeatedly.
Musicians:
Quentin Burgunter-Delamare,
Afro-cuban percussions
Marjolaine Carry, Flute
Florence Coroenne, Voice
Juliette Michalet, Oboe
Sois tranquille, cela viendra!
Sois tranquille, cela viendra ! Tu te rapproches,
tu brûles! Car le mot qui sera à la fin
du poème, plus que le premier sera proche
de ta mort, qui ne s'arrête pas en chemin.
Ne crois pas qu'elle aille s'endormir sous des branches
ou reprendre souffle pendant que tu écris.
Même quand tu bois à la bouche qui étanche
la pire soif, la douce bouche avec ses cris
doux, même quand tu serres avec force le noeud
de vos quatre bras pour être bien immobiles
dans la brûlante obscurité de vos cheveux
elle vient, Dieu sait par quels détours, vers vous deux,
de très loin ou déjà tout près, mais sois tranquille,
elle vient: d'un mot à l'autre, tu es plus vieux.
Studies (2015)
Pieces of music composed with superCollider
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NOTHING FOUND!
Toyland (2013)
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Toys decide to run away. They leave looking for a better world. This quest will change their lives.
not yet... (2012)
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The journey of a sweet sound (2011)
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Étoiles filantes (2015)
Music based on François Coppée's poem "Étoiles filantes"
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"Étoiles filantes" puts to music the poem of the same name written in 1877 by François Coppée (1842 - 1908).
It is an attempt to transcribe, in music this time, the feelings of the poet and to give it more depth through the timbres of the voice, the vibraphone and the electronics, mixing live uses and pre-recorded sounds and through the software supercollider.
The poem relates the story of a person who falls victim to a nonreciprocal love. She hopes that her wishes will be realized if she makes a wish as she sees a shooting star (myth). However, it is now winter and there are no more shooting stars in the sky, symbolizing that the person she loves will never love her in return.
Étoiles filantes
Dans les nuits d'automne, errant par la ville,
Je regarde au ciel avec mon désir,
Car si, dans le temps qu'une étoile file,
On forme un souhait, il doit s'accomplir.
Enfant, mes souhaits sont toujours les mêmes :
Quand un astre tombe, alors, plein d'émoi,
Je fais de grands voeux afin que tu m'aimes
Et qu'en ton exil tu penses à moi.
A cette chimère, hélas ! je veux croire,
N'ayant que cela pour me consoler.
Mais voici l'hiver, la nuit devient noire,
Et je ne vois plus d'étoiles filer.
Aréthuse (2014)
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Musicians :
Louis Cesar, Oboe
Julien Marceau, Oboe
Elsa Verdon, Voice
Desaccel and Spring Garden (2013)
Pieces for five percussions and electroacoustic
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NOTHING FOUND!
Mixed music for oboe and tape (2010)
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Sing to me Sylvie
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NOTHING FOUND!
Music composed for the first feature directed by Jannette Bloom (2021)
Thriller
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NOTHING FOUND!
Comedy
Poetic - Interlude
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Science Fiction - Horror
Opening theme - mystery, horror, a bit of magic
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Drama
Alone
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Animation
Rescoring of a scene of Wallace & Gromit - A grand Day Out
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Documentary
Iraq Documentary Pre-Title & Underscore
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NOTHING FOUND!
Little thing 2014
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Creation for fashion show 2013
CI airways airport theme
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Sketch for a short film 2012
Sound sketch for a short film by ESIA 3D
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